VIRTUAL PRODUCTION STUDIO · BROOKLYN NAVY YARD
An ICVFX-ready LED volume you can book by the day in Brooklyn. Fine-pitch wall, Unreal Engine and camera tracking, plus the crew and content to run it — one studio, one quote, same-week dates.
Brooklyn Navy Yard · 63 Flushing Ave · serving NYC + tri-state · same-week bookings · crew + content included.
Not a drop-off rental and not a post house without a wall — a working LED volume in Brooklyn Navy Yard, run by the crew that built it.
Most “virtual production studio NYC” searches end in one of two dead ends: a post house that doesn't own a wall, or a panel-rental shop that hands you a stack of tiles and a loading dock. We're the studio. The LED volume lives at 63 Flushing Ave in the Brooklyn Navy Yard, it's built and calibrated before you arrive, and the same team that owns the hardware operates it on your shoot day.
Book it for a day, a week, or a multi-day series. You get the fine-pitch curved wall, the media servers and color pipeline already dialed in, Unreal Engine scenes or plate playback driving the background, optical camera tracking for real parallax, and a brain-bar operator who keeps it all in sync while your DP lights the talent. That's the whole point of a volume: the location is on the wall on the day, not waiting in post.
If you'd rather we come to you, or you want LED backgrounds scoped to a specific shoot rather than a bookable space, that's our film-and-video page. If you just want a video wall and a rate, see the LED video wall rental page or the pricing overview. This page is for booking the studio.
The wall, the engine, the tracking, and the people — specced so your director sees the shot on the day.
THE LED VOLUME
Modular 500mm panels from P1.5 to P3.9, built to the size and curve your shoot needs and calibrated for camera. Fine pitch keeps moiré off the sensor and the seam invisible in-frame; the 800–5000 nit range covers everything from soft interiors to daylight exteriors.
ICVFX PIPELINE
Real-time Unreal Engine scenes or pre-rendered plates driven through a calibrated color and media-server pipeline. Frustum rendering follows the camera so the background holds perspective. Disguise, Unreal, and Notch available through our production partners.
CAMERA TRACKING
Optical camera tracking ties the virtual world to your lens, so when the camera moves the background moves like a real location — accurate parallax, correct reflections, no flat-poster look. Genlock and timecode keep wall, engine, and camera frame-locked.
CREW + CONTENT
A brain-bar operator and VP crew run the volume through your day, and our in-house team builds or preps the environments to spec. One studio for the wall, the workflow, and the content — one quote, no finger-pointing between vendors.
Shoot in the volume at 63 Flushing Ave, or have us build one on your stage anywhere in the five boroughs and tri-state.
The home volume is in the Brooklyn Navy Yard — purpose-built creative space minutes from the BQE, with freight access and parking for trucks, talent, and clients. It's an easy call time from Manhattan, Queens, and most of the tri-state, and it's a real working studio, not a borrowed conference room.
When a production needs the volume somewhere else — a soundstage in Manhattan, a warehouse in Queens, a stage in Jersey City — we build and operate a virtual production volume on location. Same panels, same ICVFX pipeline, same crew. We spec it from your stage plot and load it in, often the same week you call.
Either way you book one team. We handle rigging, power, processing, the engine, the tracking, and teardown, and we're on site through the shoot. If the volume is also serving as a corporate or broadcast backdrop, we scope that the same way.
No day-rate tables here — your number depends on volume size, shoot days, and how much content we build. We give you one all-in quote.
A virtual production booking is priced on the size of the volume, how many shoot days you need, the ICVFX pipeline (real-time Unreal scenes cost more than plate playback), camera tracking, and the crew and content hours. A single-day plate-driven shoot in the existing volume sits very differently from a multi-day real-time build with custom environments — so we scope it from your shoot, not a menu.
Whatever the scope, you get one quote that covers the wall, the engine, the tracking, the operators, and the content — the way our event walls are quoted all-in, with a tech on site and spares on the truck. See the pricing overview for how we structure it, then send us your dates and we'll come back with a real number.
QUESTIONS
A virtual production studio is a space built around an LED volume — a fine-pitch wall that displays a live, camera-tracked background so the location appears in-camera instead of being added in post. Ours is ICVFX-ready (in-camera visual effects): the wall is camera-calibrated, an Unreal Engine or media-server pipeline drives the image, optical tracking ties it to your lens, and everything is genlocked so the background holds perspective as the camera moves.
The home volume is at 63 Flushing Ave in the Brooklyn Navy Yard. You can book it by the day, the week, or for a multi-day series. It's calibrated before your call time and operated by our crew, so you walk in and shoot. If you need the volume on a different stage in NYC or the tri-state, we build and run one on location instead.
Both work. Our in-house team can build or prep the Unreal Engine environments and plates to your spec, and we run camera tracking and the media-server pipeline as part of the booking. If you're arriving with your own scenes, plates, or VP supervisor, we integrate them into the volume. Disguise, Unreal, and Notch are available through our production partners.
Same hardware, different intent. The film & video page is for renting LED backgrounds scoped to a specific shoot — often on your stage, shoot-with-us style. This page is for booking the virtual production studio as a space: the standing volume at Brooklyn Navy Yard, with the ICVFX pipeline, tracking, and crew ready to go. If you only want a video wall and a rate, see the LED video wall rental page.
Usually the same week. The Brooklyn Navy Yard volume is standing and calibrated, so booking is mostly about your dates and content scope. On-location builds take a bit more lead time for the load-in, but same-week is common — send us your shoot dates and stage details and we'll confirm fast.
It depends on volume size, number of shoot days, whether you need real-time Unreal scenes or plate playback, camera tracking, and how much content we build. We quote it all-in — wall, engine, tracking, operators, and content in one number, with a tech on site and spares on the truck. See the pricing overview, then send your dates for a real quote.
Tell us your shoot dates, the look you're after, and whether you're coming to the Navy Yard or building on your stage. We'll spec the volume, the ICVFX pipeline, the crew, and the content, and come back with one all-in quote — usually for a same-week date.
Request a quote →We'll tell you the wall, the pitch, and the price — usually same day.
Request a quote →ledwall.nyc
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